The setlist from the show at Lola's, Portland, OR, October 15, 2000:
Carry Home
Badi Da
Bell Black Ocean
I'll Take Care of You
Slide Machine
Together Again
The Winding Sheet
Blues Run the Game
Creeping Coastlines of Light
Deep Purple
On Jesus' Program
Tomorrow Night
encore 1: Mockingbirds
Last One in the World
encore 2: The River Rise (with a new intro)
Because of This
A Taste of Honey
The setlist from the Baltic Room show:
Carry Home
Badi Da
I'll Take Care of You
Deep Purple
Creeping Coastlines of Light
Blues Run the Game
Together Again
The Winding Sheet
Bell Black Ocean
On Jesus' Program
Slide Machine
Tomorrow Night
Everett True, surly drunken brit columnist, is leaving Seattle. In
his farewell column (see it at www.thestranger.com), here's a couple
of the things he said he'd miss about the northwest:
2. Being able to watch PETE KREBS perform live in my locality, both
with his band GOSSAMER WINGS, and without. I never even liked his
previous band Hazel; thought they were the grayest of the gray. Pete's
troubled on-the-road songs, tinged with his world-weary yet still
hopeful restlessness, have consoled me in my distant loneliness deeper
than anyone else this time 'round.
10. The poets. MARK LANEGAN, MIKE JOHNSON, ELLIOTT SMITH (contrary to
whatever I might have written in the past). I kinda dig it when people
are willing to lay their souls so bare. Lanegan, of course, has the
distinct advantage of having a nicotine-choked voice to die for... but
I love the rasp of Johnson's guitar strings live, and the way girls
swoon at Elliott's shows. Hey, at least it means he's connecting!
Feb. 18, 1999
From the Stranger (thank you, Amy Roussel)
by Everett True
HUGS & KISSES TOP 5 TRACKS
1. PETE KREBS AND THE GOSSAMER WINGS "Pacific Standard Time" (from the
Cavity Search promo CD Sweet Ona Rose) The sound of a dark, sleepless
Interstate 5 at 3:00 a.m., as another broken heart drifts by.
____________________
And from Allstar News (thank you, Niki Freer)
Ex-Soundgarden Bassist And Ex-Hazel Singer Form New Project
Ex-Soundgarden bassist Ben Shepherd has joined forces with ex-Hazel frontman Pete Krebs for an upcoming project dubbed Pete Krebs and the Gossamer Wings. The album, entitled
Sweet Ona Rosa, is best described as twangy folk-rock and will be released by Portland,
Ore.-based Cavity Search Records on April 6. Shepherd plays bass on all 11 tracks. Hazel had two albums on Sub Pop in the early '90s as well as a third effort on Candy Ass Records in 1997. After their demise, Krebs recorded two solo albums for Cavity Search (1995's Brigadier and 1997's Western Electric, produced by Elliott Smith) before toying around with a Portland, Ore.-based hillbilly band called Golden Delicious on a 1998 EP. The Gossamer Wings also includes well-known
Northwesterners Billy Kennedy on guitar and John Moen on drums.
-- Kevin Raub
Jan. 30, 1999
From the Stranger (thank you, Neil Sherk)
Everett True's take on the Jan. 16 Gossamer Wings show (approach it as you would anything written by Everett True, or anything printed in the Stranger, for that matter).
And as for Pete Krebs' Gossamer Wings... c'mon, c'mon. This just won't
do. Here you have the bass player from Soundgarden--who for at least
three seconds in 1995 DEFINED rock--and all you can manage are
"sensitive" guitar-runs, charming melodies (melodies? ugh!), and songs
about travel and love decay?! Get the fuck outta my sight, you
pasty-faced, Tom Waits-loving misfits!
Jan. 16, 1999
Gossamer Wings played at the Breakroom, Seattle, sandwiched between Matchless and the Western State Hurricanes. Neil Sherk reports: Ben played bass -- Pete introduced him as "my cousin Jim Krebs"
(or something like that; I can't remember exactly). The songs were
mostly the same ones Pete played when he opened for Mark Lanegan in
November, and they sounded really good with a full band. (It was weird
-- Pete and Ben and company were playing songs I recognized, Marc Olsen
was standing behind me, and they played a Mark Lanegan CD in between
bands.) Everyone seemed to be having a good time; Ben was goofing
around and exchanging funny looks with the drummer. After the last
song, people were yelling for more, but Pete said they didn't know any
more songs.
Dec. 11, 1998
From the Seattle Post Intelligencer
review of the Deck the Hall Ball, Key Arena, Seattle, Dec. 9
Mark Lanegan's short set, highlighted by his deep, craggy vocals was dark and melancholy. Accompanying the Screaming Trees lead singer was an acoustic trio [Mike Johnson, Ben Shepherd and David Krueger]--and a pesky concertgoer who trained a laser pointer on Lanegan's face.
[two of the songs performed were Stay and Hotel. the other two were apparently new material.]
LIVE YOU GOT IT: Mark Lanegan - Showbox, Seattle, 11/19
by Richy Boyer
I'd been waiting more than eight years for this show. I mean, damn, Mark
Lanegan. His solo LPs are some of the most emotional, moving and haunting
albums to ever come out of the Northwest. And Lanegan's voice; it's enough
to fuel a lifetime of teary-eyed daydreams and whiskey-soaked nightmares. So
I was prepared for a pared-down evening of soulful acoustic laments. With
the whole room glowing an eerie Tequila-sunrise red, everything softened and
dreamlike from the smoke hovering over the crowd (who were smoking like
fiends), Lanegan and his woeful crew hit the stage, smokes hanging from
their lips as they broke into a chills-inducing "Ugly Sunday." And they lit
up quick and fiery like a wooden match. The band was phenomenal; Mike
Johnson (of course) on one guitar and Marc Olsen (who ruled) on another,
newcomer Mark Boquist on traps and Ben Shepherd on bass. "Pendulum" and an
amazing "The River Rise" followed, and people--teary eyes and all--were
swept up into the rafters. The only problem was having to share these
beautiful songs with a roomful of others. They make you want to sit in some
lonely, dim-lit tavern on a drunken, rainy evening and be lulled by
Lanegan's voice. And a few songs into the set, it happened; the walls closed
in, all the people disappeared and it was just you and the band, sharing a
moment of rare, emotional beauty. Then some asshole calls for "The Rock,"
and you're jolted back into the madness again, feeling surrounded and
exposed. Appropriately, "Undertow" came rolling out next, followed by
"Mockingbird," "Hospital Roll Call," "Borracho" and, finally, a breathtaking
encore of "Because of This," leaving me feeling naked and exposed when the
lights came up. Outside, under an ugly, raining sky, it was clear something
magical had just happened, because for once, I didn't curse the beating rain
and biting midnight winds. That night, walking home, I couldn't get enough
of it.
also this review:
Then of course there was the show of shows, MARK LANEGAN, playing sans Trees
at THE SHOWBOX. Mr. Renton won't bother telling you who he saw--if you were
there, you saw them, too; if you weren't there, well then, it's your own
fault, isn't it? Much more interesting was who was on stage, as Mark was
backed by MIKE JOHNSON and MARC OLSEN on guitar (the former of whom played a
solo set of his own earlier in the evening) and BEN SHEPHERD
(ex-SOUNDGARDEN) on bass. Those of you sad saps who missed the show will
have a chance to see Lanegan play solo again at THE END's (KNDD, 107.7 FM)
Deck the Hall ball in a few short days. Of course, tickets for that are sold
out, too, so once again, you may be S.O.L.
Nov. 7, 1998
From the Rocket: (thank you, Angela Woolley)
review of the Gossamer Wings show (sans
Ben, who was in Spain at the time) at the Satyricon- Portland, OR, Oct. 23
"It's up to you to guess which one of us was in Soundgarden" joked Gossamer
Wings frontman Pete Krebs, a reference to his new band's debut at NXNW when
bass player Ben Shepherd slouched onstage in a cameo role. Tonight's lineup
didn't include Mr. Shepherd (the source of mucho buzz among the star-watcher
set), but that didn't much matter, as Krebs and his outfit threw down a fiery
set of stylistically diverse roots-rock. Previewing a new batch of songs for an album due out in January, Krebs and
company covered a broad range of material.
The review also mentioned that they closed the set with The Clash's "Train in
Vain"!