
Entertainment News : Thursday, April 01, 1999
first appeared in The Seattle Times
by Tom Scanlon
Seattle Times nightclub reporter
Damien Jurado and Pete Krebs can be called "folk singers for
people who usually don't like folk singers."
Two of the Northwest's most promising musicians, these superb
singer-songwriters create complex characters in slice-of-life
settings, with moods ranging from whimsical to poignant.
Both dabbled with hard-edged rock before gravitating to
acoustic, where they have blossomed.
The two have new CDs, released just a
few weeks apart. Jurado's "Rehearsals
for Departure" - his second Sub Pop
release - and Krebs' "Sweet Ona Rose"
are exceptional pop albums, likely to
rank among the best of the Northwest's
1999 recordings.
Both have album-release shows this week. Portland's Krebs plays
at the Crocodile Cafe on Friday, and Jurado, who has lived in
Seattle since his high-school years, performs at the Tractor
Tavern on Monday.
In mid-March, 800 bands, record company personnel and music
critics gathered in Austin, Texas, for South by Southwest, the big
industry showcase. Jurado's show was anticipated as "pick of the
day" by a local publication, and many critics eagerly awaited his
performance. And waited, and waited . . . Jurado never made it.
"I was stuck in Dallas," he says, sounding like one of his luckless
characters. "I missed a connecting flight, and then I had personal
problems at home. So I just went home."
Jurado shrugged it off and went back to work at the auto-parts
store that has been his "day job" for the past few years - only to
get into a heated argument with a co-worker. "I really want to
quit. Today might be my last day," Jurado says, calling from the
job.
Life has long been a struggle for Jurado. Critics are now praising
his lean, powerful writing (the song "Rehearsals for Departure,"
which tells of a woman leaving her husband, is particularly
devastating). Yet back at Shoreline's Shorewood High, he was
hardly getting rave notices. "I barely got out of high school. I took
two creative-writing classes and ended up getting an F in both of
them."
Considering his background, it's easier to understand Jurado's
philosophy on his music career: "I just sort of take things as they
come. If I can make a living at songwriting, I'd do it. I'd love to go
on tour and play big places with big people. And if that doesn't
happen, it doesn't happen."
Krebs is similarly laid back about his career, more interested in
playing guitar and writing sharp lyrics.
"Outside it's raining and cold once again/and her life is a drag and
so are her friends," Krebs sings, on "Dressed to the 9's." His new
album's title track jumps off with the lines "Silver wings and
ginger-ale eyes/sparkle like stars whenever babies cry."
Krebs previously played guitar and sang for two bands,
hard-rocking Hazel and bluegrass-leaning Golden Delicious. He's
been enjoying the freedom of being on his own: "I'm not really
having to deal with the democratic process and other people's
schedules."
While many of his Seattle shows have been solo, at the Crocodile
he will be backed by Gossamer Wings, the backup band that
plays with him on his album. (Ben Shepherd, formerly with
Soundgarden, plays bass on "Sweet Ona Rose," but will not play
with Krebs at the Crocodile.)
Krebs drives from Portland to Seattle for shows several times a
month, sometimes more. In the fall, the country-influenced singer
played Sunday nights at the Owl 'n' Thistle. There, young ladies
would arrive early for the best seats, then stare longingly at the
singer with the slacker attire (black-frame glasses, unkempt hair,
baggy clothes), self-effacing attitude and penetrating lyrics.
"For a while, I was playing Seattle a lot more than Portland," he
says. "It got to the point where people were asking me if I lived
up there."
In Seattle, he feels "a different kind of atmosphere. People up
there
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